Lady Lay (report)
by John Stoltenberg
As you take your seat at Scena Theatre’s production of Lady Lay, don’t be surprised to see the spitting image of Bob Dylan in the house. It’s the actor Ron Litman, who will pop into the play anon.
Lady Lay by Lydia Stryk is Scena’s entry in the Women’s Voices Theater Festival, and in it we hear from the voice of a young woman who (like Stryk) lives in Berlin. The time is 1989. The woman’s name is MariAnne (Ellie Nicoll). She’s an employment-office clerk whose crush of clients are desperate for a job and who herself is desperate for a life.
An ensemble of eight plays the clients—Kevin O’reilly (Seth) Aniko Olah (Frau M), Matt Dougherty (Herr D), Amanda Forstrom (Frau F and Frau Y), Edward Nagel (Herr K), Jennifer Bevan (Frau H), and Madeleine Adele (Frau L). At the beginning they sit in two rows facing each other and mime like robotic functionaries. Then one by one they have an appointment with MariAnne to appeal for work.
The tedium is credible and MariAnne is beside herself with boredom. One day as chance would have it she gets turned on to the music of Bob Dylan. She becomes so enamored that he appears to her. (Litman’s uncanny emulation of the legendary troubadour steals every scene he’s in.) The encounter with Dylan’s music and his antiestablishment affect have a transformative effect on MariAnne: She is inspired to seek a way out of her humdrum existence. She goes from being a groupie to being the agent of her own life. The Berlin Wall falls and the theme of freedom is evoked with great fervor.
Director Robert McNamara and Assistant Director Alexandra Linn Desaulniers have made maximal use of a minimalist set. Upstage center is MariAnne’s desk, which anchors the proceedings. The actors—who play multiple roles throughout—utilize the several wooden chairs to set a variety of scenes, including an English-language classroom and the interior of an airplane. Sound Designer Denise Renee provides an ample sampling of Dylan’s tunes—the welcome effect of which for me was to prompt me to play his albums when I got home.
Running Time: About 90 minutes, with no intermission.